line-up
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eric sleichim > concept and direction
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BL!NDMAN [sax]
koen maas > soprano- tenor and baritone sax
roeland vanhoorne > alto and tenor sax
piet rebel > tenor sax
raf minten > baritone sax
BL!NDMAN [drums]
ruben cooman > percussion
tom de cock > percussion
yves goemaere > percussion
hannes nieuwlaet > percussion
BL!NDMAN [strings]
floris uytterhoeven > violin
pieter jansen > violin
ine kuypers > viola
joyce kuipers > cello
BL!NDMAN [vox]
griet de geyter > soprano
gunther vandeven > counter tenor
kevin skelton > tenor
tiemo wang > bass-baritone
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eric sleichim > e-guitar
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luc schaltin > lighting design
hans peter kuhn > composition and light design
bart bouckaert > repetitor
peter quasters > video
brecht beuselinck > realisation cube, stage manager
karel marynissen > sound
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KWADRATUR #3/CUBE is a BL!NDMAN-production, coproduced by Concertgebouw Brugge, deSingel, Ars Musica / Kaaitheater. With thanks to Muziektheater Transparant, Joost Fonteyne, Rik Beuselinck, Guy Danel and Tom Pauwels.
BL!NDMAN is supported by the Arts Administration of the Ministry of the Flemish Community and the Flemish Community Commission of the Brussels-Capital Region. BL!NDMAN [sax] play Selmer Paris Saxophones.
KWADRATUR #3 / CUBE
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In Cube the final part of the triptych Kwadratur, sound, light and architecture become interwoven. Music deliberately plays on the perception of time and space as something purely sensory. The listener follows an auditory route and is alternately the observer and the observed. The whole building reveals its secrets and every part of it shall be thoroughly redefined.
audio
https://www.blindman.be/assets/sounds/Van_Parys_-Passagen_aphorisme_(extract).mp3 annelies van parys > passagen/aphorisme (fragment)
programme
javier alvarez > temazcal (percussion and electronics) (1984) (7’30”)
pierluigi billone > mani.mono (percussion) (2007) (8’30”)
benjamin britten> elegy (viola) (1930) (6’)
john cage > aria (counter tenor) (1959) (10’)
raphaël cendo > scratch data (percussion and electronics) (2002) (10’)
morton feldman > only (tenor) (1947) (3’)
daniele ghisi > comment pouvez vous lire à present? Il fait nuit (alto saxophone and electronics) (2009) (11’)
gilles gobert > pièce pour violon et électronique (violin and electronics) (2004) (11’)
klaus huber > traumgesicht (baritone) (1971) (3’30”)
helmut lachenmann > pression (cello) (1969-70) (9’30”)
roderik de man > case history (percussion) (2002) (3’)
kaija saariaho > lonh (soprano and electronics) (1996) (16’)
salvatore sciarrino > 6 caprices (nrs. 2& 5) (violin) (1976) (4’)
eric sleichim > angel (baritone saxophone and electronics) (2003) (12’)
georgia spiropoulos > saksti (tenor saxophone and electronics) (2001) (6’30”)
matt wright > ithaca blog (soprano saxophone and electronics) (2010) (7’30”)
iannis xenakis > hibiki hana ma (electroacoestic) (1969-70) (4’18”)
hans peter kuhn > string quartet (creation) (string quartet) (2011) (ca. 10’)
fabrizzio cassol > string quartet nr. 2 (creation ars musica) (2012)
oscar bettison > o death – bone chapel (ensemble) (2007) (12’)
annelies van parys > passagen/aphorisme (creation) (2011) (15’)
philip glass > music with changing parts (1970) (20’)
première > 6 January 2012 > concertgebouw brugge
press
“BL!NDMAN strips contemporary music of its holy seriousness and invites the audience to an adventure. […] During this experiment, the weirdest sounds constantly follow you. You leave the building with freshly washed ears.” – Geert van der Speeten, deStandaard (10.02.2012)
“BL!NDMAN leads the Way” – Giorgio Valentino, The Bulletin (09.03.2012)
KWADRATUR #3 / CUBE played among others on the following locations:
- 2012
- BRUGGE - concertgebouw
- ANTWERPEN - deSingel
- AMSTERDAM (NL) - Muziekgebouw aan 't IJ
- BRUSSEL - Kaaitheater (Ars Musica)